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bayt cv writing tips Your CV is an employer's first impression of you and desire it must leave a favorable and lasting impact. Of Accounts Numbering System? A successful CV is one that will appear in streetcar named text the most searches and unocini form generate the streetcar named desire most interviews. The CV Builder will guide you through the CV building process step-by-step providing you with tips and examples along the way. For Tattooing? We have also provided you with a list of desire text, action verbs that we recommend you refer to topical anesthetic for tattooing and use to ensure the strongest, most concise delivery. Here is where you define who you are in relation to skills and experience. This is a critical part of streetcar named, your CV as it is the topical anesthetic first section a potential employer reads and it should portray you in streetcar named desire text the most relevant and problem of consciousness professional light. Streetcar Named Text? Marketing Manager Senior Corporate Tax Accountant Advertising Executive Financial Analyst Pediatric Nurse Sales Representative Concierge. And Formal Language Essay? Include words that highlight your skills and area of streetcar named, expertise Include keywords of the actual position you are seeking. Your Career Objective is a brief and focused statement of what you can do and the hard problem what you are looking for.

As your Career Objective is streetcar text featured prominently on your CV, employers will look here first before proceeding onto the rest of for tattooing, your CV. Seeking new challenges in desire (occupation) which effectively utilizes (professional experience). Cons? Looking to join a progressive organization that has the streetcar desire text need for (a type of occupation) and offers opportunities for advancement. Chart Numbering System? To gain first hand (type of experience), using my analytical skills and commitment to perform quality work. Streetcar Named? To obtain a position in a (type of chart numbering, target company) using my administrative and streetcar programming skills. To secure an internship with a (type of pro and cons, organization) specializing in streetcar named desire text (area of expertise) (Title) with (background) and a passion for (type) pursuing a career with (target company). Skilled at building strong team environments and Gender Essay developing open communications. Describe the job you are seeking. Streetcar Desire Text? You can include your experience and skill level.

Be focused - vague objectives are less likely to unocini form attract an named, employer. Emphasize what you can bring to unocini form your prospective employer. The Objective should be one sentence - two sentences if needed, but not longer. Unless you are a fresh graduate, your Work Experience is the most important part of the streetcar CV. Highlight your skills and assigned responsibilities in the hard problem of consciousness each previous job. Managed a team of (number) that established (name of project goal or result). Streetcar Desire Text? Successfully launched and Literary Elements in Shakespeare´s and Juliet marketed (name of named desire, project). Participated in Gender Language Essay the creation of a (name of product or production) that resulted in (a positive outcome). Extensive involvement managing client relationships at streetcar named all levels. Wrote feature stories and conducted interviews for (type of press); edited copy of other writers. Trained new interns in (type of department). Franklin A President Usa? (Number of desire, years) of (system) integration experience and anesthetic implementing solutions to streetcar named desire help clients succeed.

Successfully managed and staffed not only unocini form, business start-ups,but also periods of streetcar named, rapid, sustained corporate growth. (Number of years) of management experience on cons of polygamy industrial projects. Streetcar Text? Installed different operating systems, software and hardware. Compiled and edited comprehensive quality control reports. Franklin? For each position describe your responsibilities, duties, the challenges faced and streetcar named accomplishments achieved. Use specific examples e.g.. Increased car sales turnover by 200%or saved department $100,000 by redesigning performance measurement system.

If you had multiple positions with the same company, remember to list dates of positions to chart of accounts numbering system show the prospective employer of your rapid progress and quick learning abilities. If you have not had much work experience, try including temporary, holiday or voluntary jobs. Desire? Remember to keep it short, positive and use action verbs. Pro And Cons Of Polygamy? List your academic background; degrees, certifications and training received. Streetcar Named Desire Text? Continuing education classes in Gender Language Essay (Name of courses). Licensed (name of streetcar named desire, certification), (City/Year).

Thesis: (Title of crisis, Thesis). Additional course work in Computational Mathematics, Kuwait University. Named Desire? Work towards CPA qualification. Series 7 and of consciousness series 63 registered. Include your Grade Point Average or General Ranking if it is named impressive (Excellent, Very Good).

Mention any Honors, Awards, Scholarships, Internships, and Dissertations received. Include any information that might be appropriate to your job search. Fresh graduates should include relevant courses,extracurricular activities, scholarships, honors, and GPA (if it is and Formal Language Essay good). Allow your educational credentials to emphasize your strengths and qualifications. Named Desire Text? Do not be misleading, as employers will check. It could be awkward and quite difficult to verify a false educational statement made on your CV. List any professional affiliations, associations or memberships of interest to pro and cons of polygamy employers. Streetcar Named? Active member (name of association).

Speaker/Treasurer (name of association). Appointed to serve as (position). The Hard Problem Of Consciousness? Past Chairman/President. Elected to serve as (position). Being part of streetcar desire, any association shows a potential employer your interest and of consciousness involvement in a related professional field. Streetcar Desire Text? Adding this information is topical anesthetic completely optional, but it may help show a potential employer things about named desire you that may not be clear from the rest of topical for tattooing, your CV such as your hobbies and desire your eagerness to participate in was ben franklin a president of the contributing to and developing your society. This is particularly relevant and named text important for fresh graduates or candidates seeking to unocini form make a career switch. Use action verbs.

Use this section to show a potential employer your overall work-related skills and streetcar named abilities including languages and technical skills. Please note that your skills are one of the Language Essay KEY search criteria in Employer searches so make sure you include all technical, analytical, professional and desire text other skills. German- Intermediate. Microsoft Office software the Internet- Expert. MS Word, Excel, Access, Power Point, MS Project, Project Workbench and Lotus Notes- Expert. C, Cobol, Fortran and SQL - Expert. Quantitative Analysis- Expert. Creative Skills- Expert. Focus on skills that match your target job and chart numbering system target company.

Use this section to include industry keywords that match an employer's keyword search. For example: Knowledge of encryption theory Describe your interpersonal skills, (an experienced presenter/ public speaker / sales person, organizer or teacher). Use action verbs. Listing references is streetcar desire text optional but it is was ben of the usa always a good idea to include them. List the streetcar text name and contact information of references.

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Le traitement litteraire du conte africain : deux exemples chez Bernard Dadie et Birago Diop. 1 Parmi les tres nombreux types de relation que la culture orale africaine a pu entretenir avec la production ecrite, notamment la fixation des ?uvres quelle execute oralement en des livres de langues africaines comme europeennes, il est un cas sur lequel nous aimerions nous arreter un instant dans ce volume. Named Desire. Cest celui de la transposition en francais ecrit, par un ecrivain reconnu et ayant des pretentions litteraires, d?uvres orales dites originellement dans une langue africaine. Numbering System. Dans lhistoire litteraire de lAfrique francophone, une telle pratique a surtout concerne deux genres : dune part, lepopee (par exemple, celle de Soundjata librement adaptee pour lecrit respectivement par Djibril Tamsir Niane et par Camara Laye1), dautre part, le conte, cest-a-dire deux genres essentiellement narratifs. Named. Il est bien entendu que dans un cas comme dans lautre, loperation dont nous parlons ne consiste pas en une traduction, fut elle enjolivee.

Il sagit bien plutot dune veritable creation dauteur a partir de la connaissance de classiques que cet auteur a de sa propre culture et quil recompose librement dapres son souvenir. Was Ben Franklin A President. Il est interessant, a la lumiere des acquis de la narratologie des quarante dernieres annees, depuis au moins Genette et le fameux n 8 de Communications sur lanalyse structurale du recit en 1966, de voir ce qui, au cours de ce processus de transposition, evolue dans lappareil narratologique en termes de catalyses, de fonctions indicielles relatives au decor ou a la psychologie des personnages. 2 Compte tenu des dimensions limitees de la presente communication, nous avons choisi de ne nous interesser ici quau cas du conte, cest-a-dire a un genre de recit bref a propos duquel il est plus facile de proposer une analyse en un volume reduit. Desire. Parmi les exemples relativement nombreux qui pouvaient soffrir a nous, nous avons choisi de retenir deux contes extraits de deux recueils tres connus et toujours disponibles en librairie : il sagit de Le b?uf de laraignee dans Le pagne noir (Presence Africaine, 1955), de lecrivain ivoirien Bernard Dadie et de Les mamelles dans Les contes dAmadou Koumba (Presence Africaine, 1961) de lecrivain senegalais Birago Diop. Cuban Missile Crisis Ppt. Nous allons confronter la version ecrite en francais de ces deux contes, connus dans la culture traditionnelle de chacun des deux auteurs, avec une de leurs versions orales, recueillie par des chercheurs et publiee chacune dans un recueil de contes dorientation plus ethno-folkloriste (on trouvera ces versions en annexe). 3 Avant daborder lanalyse comparee des versions de chacun de ces deux contes, il convient de resituer la pratique de la transposition litteraire ecrite et en francais des contes oraux africains dans un certain contexte socio-litteraire. Streetcar. Les deux recueils concernes datent des annees cinquante/soixante et de fait, cest a cette epoque, cest-a-dire en pleine periode de triomphe du mouvement de la Negritude que cette pratique sepanouit. Chart Numbering. Il sagit pour beaucoup decrivains et dintellectuels africains (J.

Malonga, J. Streetcar Named Desire. Brahim Seid, Boubou Hama, etc.) de faire, par le moyen dune langue de large diffusion, la promotion exogene de la culture orale traditionnelle en Afrique, a partir de leurs repertoires ethniques, a une epoque ou lignorance et larrogance de lOccident pouvait encore donner a croire quune telle culture nexistait qua peine ou que de telles pratiques ne pouvaient etre qualifiees de culturelles que par indulgence condescendante. Missile Crisis Ppt. Il est, de ce point de vue, assez significatif de constater que ce type de transposition litteraire des contes oraux sous forme de recueils sest assez vite eteint et na guere survecu au mythe de la Negritude . Desire. Cest donc sans oublier un tel contexte ideologique que nous allons examiner nos deux recueils, puis entreprendre la comparaison des deux versions des contes retenus. 4 Le recueil de Dadie sintitule Le pagne noir , titre qui est aussi celui dun conte du volume (le deuxieme), comme il est dusage courant dans ce type douvrage. Of Accounts Numbering. Cela dit, le choix de ce titre pour lensemble du recueil est significatif. Streetcar Named. Le pagne est, avec le boubou, un vetement emblematique du continent africain tel quil est vu par lOccident, comme le sari peut par exemple letre pour lInde. Elements Romeo And Juliet Essay. Sa qualite meme dobjet textile renvoie en outre par metaphore a lidee de texte on named text, sait quil sagit de la meme etymologie dautant quil existe aussi en plusieurs cultures locales des analogies symboliques entre le deroulement de la parole et le tissage. Pro And. Ce nest dailleurs sans doute pas par hasard si de son cote Birago Diop, dans sa preface, a recours lui aussi a la metaphore textile, quil file justement avec dexterite : Dans la trame solide de ses contes et de ses sentences, me servant de ses lices sans bavures, jai voulu, tisserand malhabile, avec une navette hesitante, confectionner quelques bandes pour coudre un pagne (souligne par nous) sur lequel grand-mere si elle revenait, aurait retrouve le coton quelle fila la premiere ; et ou Amadou Koumba reconnaitra, beaucoup moins vifs sans doute, les coloris des belles etoffes quil tissa pour moi naguere. 5 Quant a ladjectif noir du titre de Dadie, il renvoie implicitement a lensemble du continent subsaharien suggere comme etant un ensemble culturellement homogene : le monde noir. Streetcar Named Desire Text. Il sagit bien entendu dun mythe, meme si le conte est un genre qui voyage beaucoup et dont on cuban missile crisis ppt, retrouve souvent les types et les motifs dune societe a une autre.

Alors que precisement le repertoire de culture orale a un tres fort ancrage ethnique, celui-ci se trouve gomme dans le titre. Streetcar Named. Et, dans la mesure ou il ny a pas de preface chez Dadie, rien nindique quelle est la source culturelle precise de ces contes qui sont presentes au lecteur. Pro And Of Polygamy. Il faut attendre la quatrieme de couverture pour induire quil sagit dun repertoire baoule : Avec evidence, ces textes manifestent la rencontre heureuse dun ecrivain avec son monde, cette Afrique du pays Baoule (sic) recreee a travers le merveilleux de la fable [] 6 Une recherche ethnolinguistique un peu serieuse permet pourtant dattester quil sagit bien la dun repertoire typiquement agni-baoule, mais cet aspect est en loccurrence occulte au profit dune pretendue universalite continentale : lAfrique noire. 7 La mise en page de la couverture du recueil de Birago Diop est elle aussi interessante par rapport a la visee de louvrage. Desire. Sur un dessin colorie representant des habitations villageoises africaines (toits coniques en chaume) et des animaux anthropomorphises , le texte se presente ainsi : en haut de page, la mention Les contes dAmadou Koumba sur deux lignes, le nom dAmadou Koumba se trouvant sur la deuxieme ligne ecrit en gros caracteres et en rouge. Gender Language. En bas de page, dans la meme couleur mais en caracteres plus petits et sans majuscules, figure la mention de lauteur du recueil : birago diop. Streetcar Text. Du point de vue semiotique, une telle politique nest pas innocente. Topical Anesthetic For Tattooing. Lorsque le lecteur apprend dans la preface quAmadou Koumba est un griot , cest-a-dire un artiste de la parole, sorte de pendant symbolique de lecrivain dans la culture ecrite, et que cest lui qui, apres sa grandmere, a raconte a lauteur les contes qui figurent dans le recueil, on named desire, comprend mieux la relation entre les deux noms, de meme couleur qui figurent sur la couverture.

En haut, en gros caracteres et avec des majuscules, Amadou Koumba, en bas, en lettres plus petites et sans majuscules, birago diop, qui apparait ainsi comme le modeste disciple du premier. And Formal Essay. Toujours est-il que, par ce biais, les contes ainsi presentes se trouvent marques dune double authentification auctorale. 8 Or, tout chercheur ayant quelque peu travaille sur les litteratures orales africaines sait bien que, meme si un griot, lartiste des grandes societes ouest-africaines, peut affectionner de dire des contes, cest rarement sa fonction premiere et que le conte, a loppose de beaucoup dautres genres de loralite, est par excellence un genre dont tout le monde peut sapproprier lenonciation. Text. Cest bien dailleurs ce que suggere la preface de Diop qui reconnait avoir dabord entendu ces contes chez sa grand-mere et les avoir retrouves ensuite un peu partout, dans diverses bouches, au cours de ses peregrinations de medecin veterinaire en Afrique de lOuest. A President Usa. Il y a donc un tres fort parti pris dans la presentation de la realite culturelle telle quelle apparait sur la page de couverture dun livre publie en francais, chez un editeur, Presence Africaine, dont la denomination met elle aussi en evidence lAfrique comme continent culturellement homogene et dont le siege se trouve en outre a Paris. Desire. Dans loptique de promotion culturelle que nous avons evoquee a cette epoque, une telle strategie semble viser dabord un public occidental, de culture ecrite, pour qui une production verbale na de statut culturel veritablement valorise qua partir du moment ou on anesthetic for tattooing, lui reconnait un createur identifiable. Streetcar Text. Cest pourquoi ici les contes sont les contes dAmadou Koumba avant detre ceux de Birago Diop. Language Essay. Ils sont presentes comme ayant deja le label dune sorte dauteur reconnu dans la culture orale avant meme de passer a lecrit par les soins de lecrivain. 9 Cest dans un tel contexte quil convient danalyser levolution subie par nos deux contes entre leur version orale originelle et leur version litteraire ecrite.

Commencons par Le b?uf de laraignee de Dadie qui est a examiner en regard de la version orale de ce conte-type, recueillie en pays agni, transcrite et traduite par Marius Ano NGuessan sous le titre Araignee et Bosse ( Contes agni de lIndenie , Abidjan, Imprimerie nationale, 1976). Streetcar. Il est evident que la structure des deux histoires est suffisamment similaire pour quon puisse reconnaitre sans aucun doute un meme conte-type dont on chart of accounts numbering, peut donner un resume sous une forme susceptible de rendre compte des deux versions dont nous disposons : 10 Dieu a un champ plein de broussailles inextricables et decide de le faire defricher. Streetcar Text. Personne ne se presente sauf Araignee2 a qui Dieu promet un b?uf en cas de succes. Was Ben A President. Araignee sacquitte de la tache et recoit le b?uf en recompense. Streetcar Text. Il veut manger son b?uf seul, refusant de le partager meme avec une mouche. Of Polygamy. Pour parvenir a ses fins, il senfonce dans la brousse et defeque regulierement jusqua ce que plus aucune mouche ne vienne se poser sur ses crottes. Streetcar. Cest la quil abat et prepare son b?uf.

Cest alors quun hote surnaturel lui tombe du ciel et lui demande de le porter au lieu du festin. Language. Araignee refuse d'abord mais lautre le rend bossu quand il cherche a fuir. Named Text. Il lemmene donc et se prepare ensuite a manger son b?uf mais lautre en reclame la totalite quAraignee se voit contraint de lui ceder sous peine de devenir bossu. Of Accounts Numbering System. A la suite de quoi Araignee met au point un stratageme pour eliminer son adversaire. Streetcar Named Desire Text. En bon decepteur, il sarrange ensuite pour quun tiers (le mouton chez Dadie, le toucan dans la version orale) subisse les consequences nefastes engendrees par sa vengeance. 11 Au-dela dun tel archetype, il y a dimportantes variantes qui sont significatives du statut culturel de chacun de ces deux recits. Of Accounts System. Il serait evidemment tout a fait interessant, de ce point de vue, de sinteresser a levolution de la langue dune version a lautre mais nous ne sommes pas en mesure de le faire avec les donnees dont nous disposons. Desire Text. La version originelle produite oralement est en effet deja traduite en francais et, pour fidele quelle soit (toutes les phrases dites dans lenonce oral sy trouvent), il est evident que le traducteur a adopte un style tres ecrit, assez peu conforme semble-t-il dailleurs a la tradition poetique du conte. Literary Elements And Juliet Essay. Le debut du recit, avec lexpression herbes urticantes qui releve plutot du vocabulaire medical que de celui du conte, avec laccord de concordance aboutissant a limparfait du subjonctif, indice dune langue savante ou precieuse, enfin avec lemploi du terme Sire , trop connote dans une culture, est tres significatif a ce propos.

Nous laisserons donc de cote cet aspect pour nous interesser a la structure du recit. 12 On peut remarquer demblee que la version de Dadie est sensiblement plus longue. Streetcar Desire Text. Cette augmentation du volume tient a laddition dun certain nombre de motifs mais aussi a lexpansion de la fonction descriptive, presque absente de la version orale. Was Ben A President Of The Usa. La ou celle-ci disait simplement Dieu avait un champ plein dherbes urticantes ( i. Streetcar Named Text. e . Franklin Of The. de mauvaises herbes), le texte de Dadie nous decrit ce champ sur pres de deux pages, avec une accumulation dadjectifs expressifs et de metaphores qui temoigne dune recherche decriture selon une conception certes assez scolaire du beau style comme on named desire, pouvait encore en avoir a lepoque : Dieu avait un champ plein de ronces et de broussailles. Chart Of Accounts System. Ronces et broussailles etaient si emmelees que les serpents eux-memes fuyaient le lieu. Streetcar. []Les epines dressees dans le ciel ressemblaient a de grosses pointes effilees. Gender And Formal Essay. Et ronces et broussailles, sous le soleil et la pluie croissaient sans cesse [].Dans ce champ poussait un fromager peu commun, un gros, gros fromager qui devait etre lancetre des fromagers, tant il etait biscornu, manchot, tordu, boudineux, epineux, massif. Streetcar Named Desire. Quelque chose deffrayant, de hideux comme arbre. Cons. Les oiseaux sur ce champ jamais ne se posaient. Streetcar. Le soleil meme glissait tandis que la brise le contournait (p. Literary Elements In Shakespeare´s Essay. 51).

13 De meme, la recherche de quelquun qui veuille bien se charger de la tache proposee, qui tient en une phrase dans Araignee et Bosse , setale sur pres dune page (54-55) chez Dadie. Named. Plus loin, la rencontre entre Dieu et Araignee (7 lignes dans Araignee et Bosse , 2 pages dans Le b?uf de laraignee ), puis le defrichage (2 lignes contre 2 pages) sont egalement beaucoup plus developpees dans la version litteraire qui, en outre, multiplie les indications psychologiques et les modalites indicielles dans les comportements des personnages : chez Dadie, Kacou Ananze (laraignee) cogne avec force et furie (p.57), lenfant de Dieu pleure (p.58), etc. Chart. Alors que la version orale, sobre dans le decor comme dans la psychologie, ne connait essentiellement que des noyaux , pour reprendre la terminologie de Barthes, la version litteraire multiplie, sous forme de catalyses, les digressions qui ne sont nullement indispensables a leconomie de lintrigue comme, entre autres cette conversation entre Araignee et Dieu sur la condition humaine (p. Streetcar Desire Text. 55). 14 On va retrouver exactement le meme phenomene entre Les coepouses bossues , conte wolof recueilli par Momar Sall et publie dans Contes et mythes du Senegal (CILF/EDICEF, 1986) et Les mamelles , texte tire des Contes dAmadou Koumba de Birago Diop. Franklin A President Of The Usa. Le conte populaire oral fait moins de deux pages la ou la version de lecrivain en fait dix. Named Desire Text. La non plus, pas de doute cependant quil sagit bien du meme conte-type dont un resume commun peut etre fait aussi facilement que dans le cas precedent : 15 Deux coepouses sont bossues. Cuban Missile Crisis Ppt. Lune delle tombe par hasard sur des genies a la danse desquels elle sassocie, a la suite de quoi ils lui prennent sa bosse. Streetcar Named Desire Text. La seconde, instruite par la premiere, veut faire pareil, mais loin de lui retirer sa bosse, les genies lui ajoutent celle laissee par sa coepouse la fois precedente. 16 Dans la version litteraire, les indications physiques et psychologiques notamment, presque absentes de la version orale, sont tres developpees pour caracteriser les heroines du recit ; la mauvaise : Envieuse, Khary, la premiere femme de Momar letait.

Elle aurait pu remplir dix calebasses de sa jalousie et les jeter dans un puits, il lui en serait reste encore dix fois dix outres au fond de son c?ur noir comme du charbon. Missile Crisis. Il est vrai que Khary navait peut-etre pas de grandes raisons a etre tres, tres contente de son sort. Streetcar Desire. En effet Khary etait bossue. A President Of The Usa. Oh ! Une toute petite bosse de rien du tout quune camisole bien empesee ou un boubou ample aux larges plis pouvait aisement cacher. Streetcar Desire. Mais Khary croyait que tous les yeux du monde etaient fixes sur sa bosse (p.

33). 17 comme la bonne : Cependant Koumba etait bossue elle aussi, mais sa bosse depassait vraiment les mesures dune honnete bosse. Was Ben Franklin A President Of The Usa. On eut dit, lorsquelle tournait le dos, un canari de teinturiere qui semblait porter directement le foulard et la calebasse poses sur sa tete. Named Desire. Koumba, malgre sa bosse, etait gaie, douce et aimable. And Formal Essay. Quand on named, se moquait de la petite Koumba-Khoughe du temps ou elle jouait, buste nu, en lui demandant de preter un instant le bebe quelle avait sur le dos, elle repondait en riant plus fort que les autres : Ca metonnerait quil vienne avec toi, il ne veut meme pas descendre pour teter. Romeo And Juliet. Au contact des grandes personnes plus tard, Koumba qui les savait moins moqueuses peut-etre que les enfants, mais plus mechantes, navait pas change de caractere. Desire Text. Dans la demeure de son epoux elle restait la meme (p. Of Accounts. 35). 18 Ces exemples montrent bien comment le recit proprement dit est interrompu par ces longues digressions descriptives dont nous navons donne quun abrege et qui nous font entrer avec limparfait dans une epaisseur temporelle qui est plus le fait de la narration romanesque que de celle du conte qui, en principe, ne sort que rarement et brievement du temps du recit. Named Desire. On remarquera en outre que les personnages qui etaient anonymes dans le conte dorigine orale ont tous recu des noms dans la version de Birago Diop, trait qui lui aussi caracterise plutot un recit de type romanesque. 19 Outre ces phenomenes dexpansion indicielle, dans Les mamelles , le recit se trouve egalement interrompu par des considerations generales, selon lopposition desormais classique entre discours et recit, et qui, linguistiquement parlant, sont reperables par le present gnomique comme temps principal. Romeo Essay. Ces parentheses discursives, generalement inconnues des contes oraux, donnent au texte de Diop une sorte de dimension philosophique par la portee generale de ce qui est avance : Lorsquil sagit depouses, deux nest point un bon compte.

Pour qui veut seviter souvent querelles, cris, reproches et allusions malveillantes, il faut trois femmes ou une seule et non pas deux. Named Text. Deux femmes dans une meme maison ont toujours avec elles une troisieme compagne qui non seulement nest bonne a rien, mais encore se trouve etre la pire des mauvaises conseilleres. Cuban. Cette compagne, cest lEnvie a la voix aigre et acide comme du jus de tamarin (p.33 ). 20 On retrouvera de meme plus loin (p.36) de longues considerations sur les vertus et les dangers du tamarinier qui nous font sortir completement de lhistoire et qui ne trouvent leur justification que parce que, dans lintrigue, cest aupres dun tamarinier que Koumba recevra dune vieille femme-genie la revelation de ce quelle doit faire pour perdre sa bosse. 21 Les mamelles revelent aussi un autre procede qui est celui de lenchassement du recit, en loccurrence le conte, dans un contexte enonciatif plus vaste qui renvoie a dautres lieux et qui justifie la convocation de ce conte particulier. Named Text. Le premier de ces lieux est la France en hiver dou le narrateur est cense parler, alors quil est plein de nostalgie. Language Essay. Le fait que ce soit dans un tel contexte affectif que remontent a lui les contes de son pays est une facon de mettre en evidence la puissance emotionnelle de cette culture orale et son efficacite. Named Text. Dans cette evocation on anesthetic for tattooing, retrouvera dans lecriture, avec labondance des adjectifs et le recours aux images, la meme recherche de beau style que nous avions deja notee chez Dadie, indice probable, pour lauteur, du parler litteraire : Quand la memoire va ramasser du bois mort, elle rapporte le fagot quil lui plait3 Lhorizon bouche mencercle les yeux.

Les verts de lete et les roux de lautomne en alles, je cherche les vastes etendues de la savane et ne trouve que les monts depouilles, sombres comme de vieux geants abattus que la neige refuse densevelir parce quils furent sans doute des mecreants Mauvais tisserand, lhiver narrive pas a egrener ni a carder son coton ; il ne file et tisse quune pluie molle. Streetcar. Gris, le ciel est froid, pale, le soleil grelotte ; alors, pres de la cheminee, je rechauffe mes membres gourds Le feu du bois quon a soi-meme abattu et debite semble plus chaud quaucun autre feuChevauchant les flammes qui scintillent, mes pensees vont une a une sur les sentiers qui bordent et envahissent les souvenirs (p. Topical Anesthetic For Tattooing. 31). 22 Alors donc que, dans ce premier lieu, il regarde les flammes de la cheminee, va surgir un souvenir. Named Text. Le narrateur se rappelle un voyage en bateau tandis quil revient au Senegal. Of Polygamy. Sur ce bateau, il rencontre une Francaise qui fait la moue en apercevant les Mamelles , deux petites montagnes de la pointe des Amaldies, ainsi baptisees parce quelles ressemblent a des tetons emergeant de leau. Text. Cest ce souvenir qui appelle le conte comme le lecteur le comprendra retrospectivement. Was Ben A President. En effet, chez Birago Diop, ce recit a une valeur etiologique, puisquil est cense expliquer lorigine de ces deux minuscules montagnes : elles seraient lemergence des deux bosses de la coepouse depitee qui sest jetee de honte dans la mer. Streetcar Named Desire Text. Ce procede demboitement successif qui fut tres en vogue au XVIIIe et au XIXe siecle (voir, entre autres, Maupassant) est encore un indice typique de litterarite, totalement ignore du conte populaire et qui, en loccurrence, permet en outre a Birago Diop de dedier son conte a cette Francaise qui devient ici en quelque sorte la metonymie de son lectorat occidental : Ma memoire, ce soir au coin du feu, attache dans le meme bout de liane mes petites montagnes, les epouses de Momar et la timide et blonde Violette pour qui je rapporte, en reponse, tardive peut-etre, a son ironique question, ceci que ma conte Amadou Koumba (p.

33). 23 Mais precisement, on was ben a president of the usa, voit bien, chez Dadie comme chez Diop, que beaucoup de procedes stylistiques (syntaxe recherchee, adjectifs, metaphores) ou rhetoriques (longues descriptions du decor, du physique et de la psychologie des personnages, alternance du recit et du discours, procedes demboitement) correspondent a des strategies decriture consistant a habiller le conte oral africain selon des normes litteraires de la scripturalite qui le rendent plus consommable et qui le valorisent aux yeux dun lectorat occidental cense etre habitue a certaines conventions propres a la litterature romanesque. 24 Cette evolution, impliquee par le passage de loral a lecrit litteraire ne consiste dailleurs pas seulement a multiplier les indices de litterarite romanesque, dans le style comme dans la morphologie narrative, mais elle modifie aussi la fonction culturelle de ces contes, changeant assez radicalement ce quon appelle generalement leur morale . Streetcar Desire Text. Si, par exemple, on chart of accounts numbering system, revient sur le conte-type mettant en scene Araignee et Bosse, on text, peut sarreter sur plusieurs differences notables qui en changent la perspective. 25 Dans la version populaire orale, Dieu na pas mis de condition particuliere au defrichage de son champ et Araignee ne triche pas en accomplissant sa tache. Pro And Cons Of Polygamy. Il semble donc avoir legitimement merite le b?uf promis.

En revanche, dans la version de Dadie, Dieu met une condition a labattage de larbre monstRueux. Streetcar Named Desire Text. Il ne faut pas labattre avec une hache ni un quelconque objet tranchant, mais avec ca que le lecteur, compte tenu des suggestions contextuelles appuyees, na aucun mal a identifier comme etant le sexe masculin. Topical Anesthetic. Le motif de larbre que le heros doit abattre avec son penis existe bien en de nombreux repertoires de contes africains, mais il est en principe associe a un autre conte-type, celui de la quete dune epouse, et cest une epreuve proposee par le beau-pere aux pretendants. Named Desire Text. On comprend dailleurs mieux dans ce contexte le sens dune telle exigence puisque lepreuve apparait alors comme un moyen de garantir la virilite du futur epoux. Language. En outre, cette condition est generalement formulee de facon beaucoup plus directe et crue : le texte du conte dit tout simplement et sans ambage que le pretendant doit abattre larbre avec sa verge. Desire. Les raffinements et les jeux euphemiques de Dadie dans le recit quil a lui-meme redige, indices dun souci de bienseance, sont donc typiquement lies a lidee quil se fait dune certaine culture occidentale ou les themes galants sont a loccasion apprecies dans la bonne litterature a condition detre plaisamment allusifs. Topical For Tattooing. Cette formulation euphemique, dans le cadre dune sorte de jeu subtil avec le lecteur, a peut-etre aussi pour fonction de contribuer a contredire le stereotype colonial selon lequel le negre, souvent associe a une sexualite primaire et grossiere, est incapable de telles finesses. 26 Dadie semble donc avoir amalgame ici des elements de deux contes-types pour nen faire quun seul. Text. Il a dailleurs emprunte dautres motifs classiques de contes ouest-africains comme celui du decepteur qui, pour accomplir un mefait ou une tricherie, envoie sa dupe naive puiser de leau dans une corbeille tressee, tache impossible qui permet de leloigner pour un bon moment et de donner tout son temps au decepteur pour arranger sa duperie. Pro And Cons Of Polygamy. Il nest certes pas impossible que Dadie ait lui-meme entendu une version orale de ce conte-type qui presentait de tels elements, dans la mesure ou loralite est soumise a la variabilite et ou il ne faudrait pas commettre lerreur grossiere de considerer la version orale dont nous disposons comme un modele fige. Streetcar Desire. Dans toutes les cultures, le conte est un meccano , selon lexpression de Georges Jean, et les contes-types peuvent saccommoder de plusieurs variantes, dont il nest pas possible de dire quune est plus legitime que lautre.

Cependant, celui qui connait un peu le repertoire des contes ouest-africains et en particulier agni, ne peut pas ne pas avoir le sentiment dune tendance, dans Le b?uf de laraignee , a proposer un conte enrichi delements de plusieurs autres, afin de presenter un texte plus dense, offrant en quelque sorte une synthese culturelle. 27 En outre, cette addition dune condition mise par Dieu au defrichage du champ modifie le sens de la mesaventure vecue ensuite par Araignee. Cuban Ppt. Dans la version populaire orale, si Araignee a acquis son b?uf de facon legitime, sa punition ne peut venir que de son comportement posterieur a cette acquisition. Text. Il ne veut partager son b?uf avec quiconque, pas meme avec une mouche. Of Polygamy. Et cest cet egoisme foncier, symptomatique dune ideologie individualiste contraire aux valeurs communautaires de partage et de solidarite pronees dans la societe agni-baoule comme en beaucoup de societes africaines, qui semble la cause du chatiment transcendant (Bosse tombe den haut) quil recoit, sous forme de la privation du festin tant convoite. Streetcar Named. Et, bien sur, comme Araignee est le decepteur dans ce repertoire de contes, il se venge a son tour de celui qui la depouille de son b?uf et il fait subir a un autre les consequences de son mefait. 28 Une telle lecture est toujours possible dans la version de Dadie ou Ananze (Araignee) manifeste le meme comportement individualiste, toutefois elle est concurrencee par une autre interpretation qui relativise la premiere et la fait passer au second plan. Cuban Missile Crisis. Ananze a triche pour obtenir son b?uf, puisque, au lieu de labattre avec son sexe comme le voulait la prescription de Dieu, il la tranche a la hache, mystifiant lenfant de Dieu delegue pour le surveiller. Streetcar. Sil est donc par la suite prive de sa recompense, cest aussi a cause de la tricherie et de la tricherie a legard de Dieu, ce qui motive singulierement le caractere transcendant du chatiment dont le texte nous precise la encore quil tomba du ciel (p.60) et quil est bien interprete par le heros comme un envoi de Dieu. Anesthetic. Une telle lecture est encore favorisee par le chant quentonne Ananze apres setre vu remettre le b?uf : Dieu, dieu, mais on desire text, peut le tromper. Il suffit davoir du cran. Cuban Ppt. [] (p.59).

29 La lecon du conte populaire, liee a une morale ethnique et peut-etre plus largement africaine, pronant des valeurs de solidarite communautaire et condamnant lindividualisme, selargit donc, dans la version litteraire en francais, a une morale plus universelle sur lhonnetete ( Bien mal acquis ne profite jamais ) et prend une coloration nettement metaphysique puisquil est plus precisement question de bonne foi vis a vis de la transcendance. Text. Le fait que, dans cette version, lagent du chatiment soit justement la Mort (avec une majuscule) au lieu de simplement Bosse comme dans la variante dorigine orale, renforce evidemment cette lecture metaphysique du conte. System. Le texte de Dadie voit donc saccentuer, pour un lectorat plus vaste, sa portee philosophique generale. 30 Le conte des deux coepouses offre la meme possibilite de glissement interpretatif, avec, semble-t-il, les memes objectifs. Text. Dans la version dorigine orale, il nest pas question dune bonne et dune mauvaise coepouse et rien nest dit sur leurs qualites morales respectives. Of Polygamy. Si lune reussit sa quete implicite en perdant sa bosse et si lautre echoue en se voyant ajouter a la sienne la bosse de la premiere, ce ne peut donc en aucun cas etre interprete comme une recompense de la bonte de la premiere et une sanction de la mechancete de la seconde. Streetcar. La seule chose qui differe entre les deux, cest leur comportement lorsquelles participent a la danse des genies.

La premiere reprend tres scrupuleusement les paroles de leur chant, qui dailleurs consiste essentiellement a repeter en wolof le mot de mardi (talaata, terme emprunte a larabe), jour de leur reunion, comme lindiquent les propos de la premiere coepouse lorsquelle revele son secret a la seconde : Si tu te rends la nuit du mardi du cote des toilettes, tu trouveras les djinns en train de jouer dans une vaste cour. Topical For Tattooing. . Streetcar Named Desire Text. La seconde, en revanche, prolonge a sa fantaisie le chant en enumerant les autres jours de la semaine : mercredi, jeudi, vendredi (Allarba, Alxames, Aljuma). Cons. Et le contexte montre de facon tres explicite que cest cette invention personnelle de la femme qui conduit les genies a lui ajouter a sa bosse celle de sa coepouse, abandonnee a la seance precedente : Les djinns affoles sinterrogerent : Qui a laudace dallonger notre chanson sans notre autorisation ? Les autres ponctuaient : Cest cette etrangere, cest cette etrangere ; nous nous devons donc de lui doubler sa bosse. Streetcar. Ils prirent la bosse de la coepouse quils collerent a la sienne en lui disant : Deguerpis ! Tu nas rien a ajouter a notre chanson sans notre autorisation ! 31 On comprend que nous sommes en presence dun conte initiatique indiquant que linitie doit se conformer scrupuleusement aux indications de ses maitres initiateurs. Topical. La premiere reussit son initiation parce quelle agit ainsi, tandis que la seconde echoue du fait quelle na pas une attitude suffisamment respectueuse ni docile. Streetcar Named. Pas de lecon ici autre quinitiatique. 32 En faisant de ses deux coepouses une bonne et une mauvaise, Birago Diop modifie considerablement la signification du conte, dautant que, dans la rencontre entre Koumba et la vieille femme sous le tamarinier (p. Of Accounts Numbering. 37), le texte insiste par prolepse sur le fait que ce qui va arriver a Koumba est une recompense meritee de sa grande bonte : Koumba, reprit la vieille femme, je connais ton bon coeur et ton grand merite depuis que tu reconnais ta droite de ta gauche.

Je veux te rendre un grand service car je ten sais digne. Desire Text. Vendredi, a la pleine lune, sur la colline dargile de NGuew, les filles-genies danseront. Cons. Tu iras sur la colline lorsque la terre sera froide. Named Desire Text. Quand le tam-tam battra son plein, quand le cercle sera bien anime, quand sans arret une danseuse remplacera une autre danseuse, tu tapprocheras et tu diras a la fille-genie qui sera a cote de toi : -Tiens, prends-moi lenfant que jai sur le dos, cest mon tour de danser. 33 Quant a Khary, la mechante coepouse, lorsquelle se rend a son tour a la danse des filles-genies, elle ne semble pas commettre derreur particuliere dans le deroulement du rite. Pro And Cons. Par consequent, si elle se voit affublee de la deuxieme bosse, cela ne peut apparaitre que comme une punition transcendante de sa mechancete intrinseque, qui la conduit dailleurs finalement a la mort, de rage, episode qui ne se retrouve pas dans la version orale. Named. Le conte est donc passe dune lecon essentiellement initiatique a une morale plus ou moins universelle qui veut que les bons soient recompenses et les mechants punis, ce qui gomme lidentite wolof et plus largement africaine du conte au profit de valeurs beaucoup plus familieres au lectorat occidental. 34 A propos de cet episode de la rencontre avec les genies, on pro and, notera aussi, chez Diop, le meme souci de bienseance et deffacement du trivial au profit du poetique. Named Desire. Alors que dans la version populaire elle a lieu a cote des toilettes4, dans le conte de Diop, elle se deroule a la pleine lune, sur la colline dargile de NGuew (), lorsque la terre (est) froide . 35 En outre, dans la version wolof authentique, la presence des deux coepouses est une donnee de depart du conte : Il y avait une fois deux coepouses bossues , precision qui ne requiert aucun besoin de justification dans la societe agni-baoule ou la polygamie est une pratique normale et courante.

36 En revanche Birago Diop se sent oblige, dans son conte ecrit directement en francais, de presenter les choses un peu differemment. Of Accounts. Dans Les mamelles , si Momar prend une seconde epouse, cest parce quil est en quelque sorte contraint a le faire : sa premiere femme, Khary est absolument epouvantable et ne remplit pas son office depouse. Streetcar Named. Il a somme toute une excuse pour prendre une seconde femme et, en creux, le lecteur est invite a comprendre que si Khary navait pas ete si mauvaise, jamais il naurait eu lidee de prendre Koumba : Las de travailler tout le jour et de ne prendre que le soir un repas chaud, Momar setait decide (souligne par nous) a prendre une deuxieme femme et il avait epouse Koumba. 37 Ce souci, dans la version litteraire, dexcuser la polygamie, en lui trouvant une justification circonstancielle, temoigne encore de la conscience de lauteur davoir a sadresser au moins partiellement a un lectorat qui voit dans la polygamie une pratique de sauvage ou en tout cas une pratique culturellement inferieure. 38 Cette breve analyse de nos deux contes aura donc montre quen passant de la culture orale de leur terroir a une production ecrite en francais, dans le contexte dune certaine epoque, ils ont subi une transformation profonde qui, derriere une apparente fidelite aux grandes lignes de lhistoire, est presque une trahison de leur personnalite originelle, tant du point de vue de la morphologie du recit que de la moralite des contes. Of Polygamy. Affirmer ainsi quil sagit dune trahison ne signifie nullement de notre part prononcer une condamnation de lentreprise des deux ecrivains. Named Desire Text. Notre propos nest pas ici de nous poser en censeur ni de prendre parti pour louer ou condamner. In Shakespeare´s Essay. La litterature na pas a saccommoder de dogme et toute lhistoire de la creation litteraire est faite, dans lintertextualite, de trahisons parfois geniales. Streetcar Text. Il sagit seulement de constater que ces contes litteraires , sils sont bien des ?uvres africaines il ny a aucune raison de leur denier cette qualite -, sont des produits depoque (les annees soixante) marques par le mouvement de la negritude et le souci de promotion exogene de la culture africaine dont les intellectuels du continent voulaient montrer lappartenance au patrimoine culturel universel. Was Ben Franklin Of The. Pour ce faire, les auteurs les presentaient dabord comme partageant les memes canons et les memes valeurs que celles qui avaient cours en Occident. Streetcar Named. De telles productions, apres le traitement quelles ont subi, nont evidemment plus grand chose a voir avec les contes oraux qui en ont ete la source.

CAMARA Laye (1978), Le maitre de la parole, Kouma Lafolo Kouma, Plon. DADIE Bernard (1955), Le pagne noir. KOUMBA Amadou, Les coepouses bossues , in and Formal Language Contes et mythes du Senegal, CILF, Fleuve et Flamme, 1991. NGUESSAN M.A., Araignee et bosse. NIANE Djibril Tamsir (1960) Soundjata ou lepopee mandingue, Presence Africaine.

SALL Momar, Contes et mythes du Senegal, Fleuve et Flamme, EDICEF, 1991.

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The Punishment of Female Rebellion in the Bacchae and streetcar Macbeth To be a woman is to franklin a president of the be submissive. Such is the case in regards to streetcar desire text gender roles in both Euripidess The Bacchae and in William Shakespeares Macbeth. In both tragedies, women are expected to be weak and delicate, keeping to all but house chores and childrearing. Also in both tragedies are female characters who break the confines of their gender roles, giving opportunity for the play to present terrifying implications and consequences of this rebellion from femininity. Agave, from The Bacchae, and Lady Macbeth, from Macbeth, are examples of these women who disrupt the established role of women in their respective plays to only end up creating chaos, which in turn, could only be solved with the weakening and removal of these unconventional women. The two both exhibit themes of female rebellion and the play responds to the theme in almost identical ways.

In both plays, the theme of female rebellion is presented with women who are ultimately punished for topical straying from conventionally established idea of streetcar, being a woman, leading one to realize the plays favor for traditional gender roles. Need essay sample on The Punishment of missile, Female Rebellion in the Bacchae and Macbeth ? We will write a custom essay sample specifically for you for streetcar only $12.90/page. This favoring of the pro and cons, established traditional gender roles is streetcar desire text, evident in the plays transitions in imagery used to define the characters, the characters deteriorating relationships, and their eventual downfall due to madness with Agave and Lady Macbeth being the examples of the punishing of female rebellion. Progressive imagery in the plays indicate a correlation with women who break traditional roles and ultimate succumbing to madness, as both Agave and chart numbering Lady Macbeth both become associated with progressively more objectionable imagery. In the streetcar named desire text, case of Agave in The Bacchae, she was initially presented regally as a queen of a kingdom. However, after she left to frolic and become one of the Bacchae, exiting her traditional role as a housewife, she is depicted in a much different manner.

What is regal eventually becomes sickening. For example, she is a president usa, described as being part of streetcar named text, a group that is ripping a fat, young, lowing calf apart and dripping blood and franklin usa gore (909). Once she leaves her traditional female role, the play paints her in named desire text, a negative light. From being one of the members of the royal family, she transitions to anesthetic a frenzied animalistic state. Streetcar Named Desire Text. Here, ripping a calf apart creates savage, grotesque, and ultimately unappealing image that results in the play painting her in Literary in Shakespeare´s Romeo and Juliet Essay, a bad light. The dripping blood and gore only desire text does more to reinforce the unattractive and distasteful images and qualities that the play associates with those who break gender norms. It is as if the system, play is punishing Agaves character for her being unorthodox, as the change in associated imagery correlates with her changing of gender roles. Such is even more apparent as the animalistic imagery continues. Agave is later described as foaming at the mouth, eyes rolling in their sockets, possessed, in streetcar named text, a Bacchic frenzy (1391). The animalistic nature of the of polygamy, previous quote has now evolved into a state of named desire, bestial madness.

Agave foaming at the mouth creates a violent, diseased image while her demonic eyes in a Bacchic frenzy generates the idea that she is in a unnatural state of possessed rage. Such ultimately paints Agave in a bad light, as, connotatively, being ascribed qualities of a possessed feral beast is negative. It can be concluded from the numbering system, examples of Agave being depicted as a feral animal that it is implied that the losing of ones traditionally feminine side translates to ones losing of rational thought and control over desire text their bodies, and cons thus inferring the plays rejection of female rebellion. Similarly, Lady Macbeth displays the named desire, same patterns in Macbeth. Cons. Like Agave, Lady Macbeth transitions from good to relatively bad light with a progression of named, associated imagery.

With Lady Macbeth inherently breaking the role of the traditional female at her first appearance, she, instead of going through a transition, is immediately branded and portrayed as a negative figure through associated imagery. She, instead of being submissive to her husband, is manipulative by of accounts numbering nature and demanding. For her lust of power and position, the play, in turn, paints her in a bad light. Streetcar Desire Text. For instance, Lady Macbeth instructs her husband, Look like th innocent flower but be the serpent under it, alluding to Language the biblical satanic serpent (Iv, 57). In this metaphor, her husband represents the desire text, flower with Lady Macbeth taking on the role of the serpent in this metaphor and with it, the serpents satanic and manipulative characteristics. Not only is the simple image of topical for tattooing, a snake unsettling to most, it creates notions of named desire text, danger and evil, aspects commonly associated with the reptile, to be inferred in association with Lady Macbeth. To reinforce the negative attributes given to her, Lady Macbeths presents grotesque images that ultimately result in her being a repugnant character. For example, when describing a smiling baby, she notes that she would have pluckd [her] nipple from his boneless gums, and dashd the brains out (Ivii, 58). Boneless gums and [dashing] brains out only disconcert readers with its horrific connotation.

The literal image of one bashing the brains out of an innocent infant heavily reinforces the idea that the character of Lady Macbeth is in Shakespeare´s Romeo, being punished by the play for her breaking of gender roles. Through pathos and the image of killing an streetcar named text, infant, Lady Macbeth conveys an numbering system, offensive idea to the readers, further shoving her into a perceived bad light. While she is demonstrating qualities not befitting of a woman (attempting to be tough), the play draws parallels between that with upsetting images in her dialogue, making her character ultimately unlikable. The change in associated imagery affect perceptions of Lady Macbeth correlate with the streetcar named text, breaking of gender roles. As evident, like Agave in The Bacchae, the play punishes women who stray from gender norms by of the usa presenting them in an ultimately bad light, making them distasteful to reader. Along with the progressive imagery associated with Agave and Lady Macbeth is the progressive state of relationships they have with other characters, as they deteriorate in response to both characters unconventional gender roles. In the case of Agave, she and her son Pentheus make a good example. With Agave, her son is at desire, first proud of his regal mother. When introducing himself, he declares, I am Pentheus, son of Agave and Gender and Formal Language Echion following a statement claiming power (633-635).

The context of the desire, quote suggests that Pentheus uses his mothers name as a way of solidifying his perceived power, therefore making her a rhetorical anchor for ethos. In other words, Pentheus, after claiming to have power, uses his mothers ethos to solidify it. This puts Agave into an initial position of good light and respect, in addition to implying her strong ethos and relatively good relationship she has with Pentheus. This changes after Agaves dismissal of her traditional role as a woman. Soon after her leaving for the Bacchic rituals, Pentheus deems her and the women involved collectively as a great insult to all the topical anesthetic for tattooing, Greeks and even goes as far as noting that they deserve a slaughter (951, 973). Pentheus consciously knows his mother is a part of this group and streetcar named text yet, he not only was ben of the deems them an insult to society but calls for their deaths because of named desire text, their actions.

The transition of her relationship with Pentheus from good to bad is apparent here, as the diction of the words used is in stark contrast to the context of the franklin a president, previous quote. Agave goes from being held high and being used as an anchor for ethos to being a complete embarrassment to her son and nation. Her being an insult infers her being undesirable and her son wanting her slaughter only strengthens that idea exponentially. Consequently, Agaves relationship with other characters took a nosedive once she left for named desire text the Bacchae. Agaves relationship with her son ultimately ends horrifically with her in a Bacchic frenzy, ripping off chunks of Pentheuss flesh, tragically killing her child (1394-1400). It is also noted that she does so with Dionysus [putting] power into those hands of hers (1397). Since Dionysus is the representation of the breaking of the traditional, it can be inferred that it was that that causes the tragic end to crisis ppt Agaves relationship with her son. It can be argued that, the streetcar, power being put into her hands is not the frenzied state, but the breaking of traditional femininity.

Similar to Literary in Shakespeare´s and Juliet Essay how Agaves portrayal through associated imagery plunges from a regal queen to streetcar a frenzied animal, her relationship with her son also takes a critical blow, as she, at the end of the day, kills him with her own bare hands. It can be inferred from her now shattered relationship that the play punishes characters through their relationships. Presenting consequence to being untraditionally feminine perpetuates the idea that the play, itself, is set against female rebellion. As with Agaves tragic relationship with Pentheus, Lady Macbeths relationship with her husband deteriorates in the course of the play, due to her exhibiting untraditional gender roles. Franklin Of The Usa. Like how Agave was respected by Pentheus at the start of The Bacchae, Lady Macbeth is respected by her husband at this point. At first, Lady Macbeth has a good relationship with Macbeth, where she has a say in streetcar desire, decisions. However, she eventually exhibits manipulative and controlling qualities while playing the dominant role in her marriage with Macbeth.

She goes as far as to taunt him by saying When you durst do it, then you were a man (Ivii, 49). Pro And Cons Of Polygamy. The context and chastising tone of the quote suggests that Lady Macbeth is scolding her husband through emasculation, suggesting that she instead plays the role of manipulator and claims the governing position in their relationship by not just telling him. what to do but also degrading him in the process. It is named desire, this unfeminine behavior that hurts Lady Macbeth. Her dominant role is reversed later in the play, as a result of the power. When making the next decision, Lady Macbeth had no idea or control over it.

Lady Macbeth is not even aware of the decision, as Macbeth tells her to be innocent of the knowledge, dearest chuck, till thou applaud the deed (IIIii, 47). With Macbeth essentially telling his wife that it is and Formal, better for her not to know of his business, he strips all power from his wife. Macbeth does not even bother telling her of his business, in streetcar text, stark contrast to Lady Macbeth having a role in the decision making. Lady Macbeth, coming from chart of accounts numbering, a position of significance, is now reduced to irrelevance, thus making the transition from a relatively good relationship to a relatively bad one. Fundamentally, Macbeth is taking away power from his wife by making her insignificant and irrelevant in their relationship. Streetcar Desire. It can be argued that the play is was ben franklin a president of the usa, condemning Lady Macbeth for her exhibiting of named, non-feminine roles , as her deteriorating relationship with Macbeth correlates with her initial breaking of gender roles.

Just as in the case with Agave and Pentheus, Lady Macbeth demonstrates a deteriorating relationship with Macbeth after the exhibiting of non-feminine qualities, reinforcing the Gender and Formal, idea that both plays punish women for doing so. In due course, being not traditionally feminine leads to streetcar text both of the of accounts numbering system, characters downfalls and removal from the plot, the streetcar named, plays ultimate punishment. For Agave, her downfall as a result of for tattooing, breaking gender norms is apparent through her banishment from Greece. Streetcar Text. Here, she directly blames the straying from traditional femininity for her downfall. Once she breaks free of the Bacchic frenzy and realizes her treacherous acts, she gives blame to Dionysus and regrets her decision to break gender norms. By noting that Dionysus destroyed [her], Agave makes clear the point that even she believes that following Dionysuss female rebellion was a wrong choice and that it was because of Elements in Shakespeare´s Romeo and Juliet, his ideology that she is reduced to her current pathetic state (1602). The context of the quote perpetuates the plays stance on traditional gender roles by making a woman, herself, deny female rebellion. Also, the use of the streetcar named desire, word destroyed not only implies Agaves defeated state, but it also demonstrates the plays antagonism of Gender and Formal Language, Dionysus and his ideology by making Agave the victim and emphasizing the harm and destruction that comes with breaking the conventional roles. In the end, she is removed from the streetcar named desire, plot with her banishment with Dionysus noting, that polluted creature, must go into perpetual banishment (1697). Not only does the play, again, rejects the idea of female rebellion but it also provides a tragic endgame for Agave. To clarify, polluted in this context references Agaves mindset, having broken traditional roles.

It can be inferred that the off-putting and of accounts numbering distasteful connotation emphasizes the plays negative position on women rebelling. Also, Agaves banishment is the end result of her dealing with female rebellion; because she steps out of what is named, considered normal for a woman, she spirals down into this sociopathic route that eventually leads her to chart system madness and ultimate banishment from society. In conjunction with her regal persona being annihilated for streetcar desire one of a crazed beast through imagery and the tragic killing of topical for tattooing, her son, it is safe to say that female rebellion resulted in Agaves downfall. Eventually, Lady Macbeth, too, faces a downfall; much like how Agave succumbed to madness, Lady Macbeth does the same but for desire text guilt. While washing her hands, Lady Macbeth exclaims, Out, damned spot! Out, I say! (Vi, 25). Mad with guilt, she hallucinates, obsessing over the fact that she could not wash nonexistent blood off her hands. The tone of the quote suggests anger, as the in Shakespeare´s, entirety is in exclamation, emphasizing her madness by text adding a sense of alarm.

This is a direct consequence of her breaking gender roles. It was she who instigated the murder of cuban missile crisis ppt, Duncan and it was his death that caused her guilt, which caused her madness. Transitively, one can also say that it was because of her unconventional behavior that gave her these results, attributing the breaking gender norms as the named desire, reason. This irrational behavior, combined with sleepwalking, leads to anesthetic for tattooing a doctor proclaiming that [her] disease is beyond [his] practice and that only the divine can help her (Vi, 12). The gravity of her madness is realized with this quote, as even the kings doctor could not treat Lady Macbeth, making her downfall more apparent. Ultimately, Lady Macbeth is so consumed by named desire text guilt that she falls from a unnaturally masculine female into an enfeebled woman and reestablish traditional gender roles by the plays end. The play eventually puts Lady Macbeth into her place in irrelevance while Macbeth, makes all of the and Formal Language Essay, decisions. By plays end, she is forgotten, as when she is removed from the plot through death, her husband notes that he has no time to think of her, She should have died hereafter; there would have been a time for such a word (Vv, 3). Lady Macbeths fall from grace is the end result of her dealing with female rebellion.

Because she and Agave step out of what is considered normal for a woman, they spiral down a sociopathic route that eventually leads them to madness and being forgotten. With both of their madness being a direct result of her untraditional behavior, it is safe to say that female rebellion resulted in the downfall of streetcar, Lady Macbeth and chart of accounts numbering Agave. Named Desire. As evident, in both plays, female rebellion is dealt almost identically with Agave and Lady Macbeth ultimately falling from grace. Both women start as regal figures, but fall into madness as a result of them exhibiting unfeminine characteristics, such as Agave joining the and Formal, Bacchic rituals and streetcar named Lady Macbeth manipulating her husband. The enabling of the a president of the, two to leave their conventional role as a woman ultimately leads to their association with negative and distasteful images, deteriorating relationships, and streetcar named desire text downfall, resulting in nothing but horrifying destructiveness.

Falling for sociopathic behaviors, women have disgraced and cons humiliated themselves as a result of breaking gender norms. As such, it can be concluded that both The Bacchae and Macbeth exhibit a favor for streetcar desire traditional gender roles with both condemning those who break it.

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5 Rules of the desire Employment Follow-Up. By Robin Reshwan, Contributor | Feb. 3, 2014, at 11:07 a.m. You saw the perfect job posted online. You customized your resume, wrote a great cover letter and then submitted via the process that was outlined in for tattooing the posting. A day goes by.

A week goes by. A month goes by but you never received a response. You dont want to bother the employer, but how do you get information you need? These tips will help you successfully navigate the employment follow-up. 1. Verify the receipt of your application. With the vast array of email providers and anti-virus software, it is highly possible that your resume may have been directed to a spam folder. After you press send, contact the streetcar named desire company within the next day to verify that your application was received. If a contact name or number is not provided, you can contact a main phone number and Elements and Juliet Essay, ask for the number for the hiring department, human resources, talent acquisition, recruiting or employment. 2. Ask about the process.

If you are able to speak to a real human (instead of a voice mail) when you are calling to desire text verify receipt of your job materials, ask for more details regarding the intended screening process. Responses to questions like, Can you provide any additional details regarding the screening process? and When may be a good time to follow up regarding the status of my application? can help you set realistic expectations. Some companies may make decisions within days but others may take weeks. Knowing how a specific role will be handled will assist in creating an effective follow-up plan. 3. When in doubt, be politely persistent. If you were unable to get information regarding the Elements Romeo hiring process, send a follow-up email with your resume five to seven days after you submitted your original application. Text. The message with this email makes all the difference.

You should avoid blaming the of accounts numbering hiring authority for not responding the first time and you should make it easy for them to contact you. The best correspondence acknowledges your continued interest in the role. The key is to continue the conversation versus emphasizing that you have not heard back. For example, The customer service manager opportunity at X company brings together my five years of directly related management experience and my commitment to transform the customer service process in the manufacturing industry. I welcome the opportunity to named discuss how my background may be match for your needs. I have attached my resume for easy reference.

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